OHENHEN Timeyin Stanley PhD.

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OHENHEN Timeyin Stanley PhD.

Lecturer I

Biography

Stanley Ohenhen holds a B.A in Theatre Arts, University of Benin,  Nigeria, M.A also in Theatre Arts of the University of Ibadan, Nigeria. PhD in Theatre Arts also of the University of Ibadan, Nigeria, specializing in Management and Arts Administration.  A Fellow of the Institute of Policy Management Development (FIPMD), and also a Fellow of the Institute of Brand Management of Nigeria (FIBMN), Member, International Research and Development Institute (MIRDI), Member of the Society of Nigerian Theatre Artists (SONTA), and an Associate Member of the Nigerian Institute of Public Relations (ANIPR), Stanley is versatile resource in human capital development and management consulting, He joined mainstream academics in 2014 through the Department of Performing Arts, Olabisi Onabanjo University, Ago Iwoye, Ogun State. By June 2016, he left for the Department of Communication and Performing Arts, Bowen University, Iwo, Osun State, a department out of which Theatre Arts evolved to become an independent Programme in the new modified collegiate system of Bowen University in 2019. Here, Stanley presently conducts research and teaches Theatre Management, Entrepreneurship and Arts Administration, and other allied courses in the Performing Arts.  He has attended, as well as presented papers, at several local and international inter/multi-disciplinary conferences, and has a number of published journal articles and books to his name. Stanley is happily married with children.

Education

  • Ph.D, Theatre Arts, University of Ibadan, Ibadan. 2013
  • M.A Theatre Arts, University of Ibadan, Ibadan. 2004
  • B.A in Theatre Arts, University of Benin, Benin City 1987

Publications

  • Ohenhen, Stanley, (2016), Management and Marketing Communication. Model for the Performing Arts, Deutschland: Lambert Academic Publishing (F)
  • Ohenhen, Stanley (2017), “The Performing Arts and Africa’s Economic Transformation Agenda” in Anameme, A., Olusegun, B., (eds), Agenda 2030 and Africa’s Development in the 21st Century, Malaysia: United Nations University International Institute for Global Health, 267 -280. (F)
  • Ohenhen, T.S, and Oluwafemi A.J. (2017), “Managing Africa’s Performing Arts and Culture Heritage for the Continent’s Socio-Economic Development” in Ugolo C, Okwechime, O., and Akpore, N (eds), Cultural Rejuvenation Theatre Management & Performance Aesthetics Benin City: Headmark Publishers, 65 – 77 (L)
  • Ohenhen, T. Stanley (2017), “Professionalism, Principle, Passion and the Man Muyiwa Awodiya and the MUSON Centre Antecedents” in Ugolo C, Okwechime, O., and Akpore, N (eds), Cultural Rejuvenation Theatre Management & Performance Aesthetics Benin City: Headmark Publishers, 100 – 115 (L)
  • Ohenhen, Stanley (2018), “The Role for a Revolutionary Theatre in the Decolonisation of Africa” in Oloruntoba S.A and Gumede V. (eds) State and Development in Post-Independence Africa, Texas: Pan-African University Press 343 – 353 (F)
  • Ohenhen, Timeyin Stanley (2018), “The Demystification of the Theatre and Drama of Agitation and Propaganda and Africa’s De-Neocolonisation Agenda” in Amutabi M.N’ (ed), Political Economy of Development in Africa, Nairobi: Centre for Democracy, Research and Development (CEDRED), 202 – 212. (F)
  • Ohenhen, Stanley (2012), “Developing a Marketing Communications Culture in the Arts and Culture Industry in Nigeria”, International Journal of African Culture and Ideas, LAUTECH,. 12, 1 & 2, 116-129. (L)
  • Ohenhen, Stanley, (2013), “The Evolution of Performing Arts as a Commercialised Industry in Africa Africa: Journal of Contemporary Issues, LAUTECH,. 13, 1 &2, 36-47. (L)
  • Ohenhen, Stanley, (2014), “In Search of an Effective Management Model for the Performing Arts and Culture Industry in Africa International Journal of African Culture and Ideas, LAUTECH, , 12, 12, 72-87. (L)
  • Ohenhen, Stanley (2014) “Overcoming the Survival Challenges of the Live-Performing Arts in Nigeria, Journal of African Culture and Understanding, 7: 19-26. (L)
  • Ohenhen, Stanley, (2014), “Management: A Sine Qua Non for the Economic Viability of the Performing Arts Institutions in Nigeria Africa: Journal of Contemporary Issues, LAUTECH,. 11, 11, 34-47. (L)
  • Ohenhen, Stanley. (2015) “Managing the Challenges of Dance as a Sustainable Vocation in Nigeria” Dance Journal of Nigeria, University of Benin, Benin City, Vol. 2. 145-15. (L)
  • Ohenhen, Stanley, (2015), “Trends in the Development of the Radical Theatre Tradition in Nigeria” AGOGO Journal of Humanities, Olabisi Onabanjo University, Ago Iwoye, 1, 1, 1-14. (L)
  • Ohenhen, Stanley, (2015), “Ideological Ambivalence of Nigerian Playwrights: Implication for Africa’s De-neocolonisation Agenda, International Journal of Arts, Culture and Sustainable Development, Centre for Advanced Training and Research, Accra Ghana. 5, 2, 101-109. (F)
  • Ohenhen, Stanley (2015), “Entrepreneurship and the Economic Relevance of Africa’s Creative Arts and Culture Industry in the 21st Century Global Economy, Ibadan Journal of Theatre Arts, University of Ibadan,. 9 & 10, 225 – 246. (L)
  • Ohenhen, Stanley, (2016), “Dance as a Globalised Phenomenon and Custodian of Cultural Identity in a Democratic Polity”, Dance Journal of Nigeria, University of Benin, Benin City,. 3, 31-45. (L)
  • Ohenhen, Stanley, (2016), “Total Quality Management (TQM): a Quintessential Culture for the Socio-Economic Survival of Live-Performing Arts Institutions in Nigeria”.Ijagun Journal of English Language and Literature, Tai Solarin University of Education, Ijagun..1,1 76 – 86. (L)
  • Ohenhen, Stanley, (2017), “Performing Arts and Culture Industry and Human Capacity Building in Africa”, Research on Humanities and Social Sciences, International Institute of Science, Technology and Education (IISTE), 7,24, 90-97. (F)
  • Ohenhen, Stanley, (2018), “Socio-cultural Interdependence of Theatre and Society” Nigerian Theatre Journals of the Society of Nigeria Theatre Artists (SONTA) 18,1 139- 151
  • Ohenhen, Stanley. (2014), “Arts & Culture Industries and the Transformation of the Nigerian Economy” at the 10th World Congress on Local Government and Rural Transformation in Africa, Centre for the Promotion of International Relations, Studies and Development, University of Ghana, Legon. 7, 8, 150-157. (F)
  • Ohenhen, Stanley, (2018), “Counter-Terrorism & Socio-cultural Acculturation Advocacy in Ahmed Yerima’s Heart of Stone and Pari ” a paper presented at Society of Nigeria Theatre Artists (SONTA) International Conference held between 1st and 3rd November 2018 at the Federal University, Oye Ekiti, Ekiti State. 67 – 79. (L)